![]() The standout is a brief documentary that chronicles both the original film and the new release, letting Coppola and cast shed memorable light on how the studio process can change a movie’s destiny. ![]() The film itself is outstanding enough to warrant the set’s existence, so the engrossing extras just sweeten the deal. Now we hear rock songs of the period, and as the director astutely observes, the music invites us to pay attention to the actors rather than telling us how to feel about them. In a wise move, Coppola has chucked the film’s original score, written by his father Carmine, which overstated emotion with syrupy strings. In a commentary track, Coppola says he wanted the film to be “a young person’s ‘Gone With the Wind,’ ” and the epic elegance of the new version shows he got awfully close. More than 20 minutes of lost footage are restored, and all of it deepens the story of teenage greasers trying to survive in the 1950s. ![]() With this new treatment, “The Outsiders” may rival “Blade Runner” as the film most improved by a director’s cut.
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